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I always mix either in the tone description of sadness, motivation, sometimes a daze, softness, calm, auto-confidence, handsomeness, beauty, excitement, organic quality, clarity, and smoothness.
Black glitter tape vibe, dark candy reddish color, plainness, fatness, width, non-fatigue, smooth shape-fullness in thought. Self-controlled SSS and pop sounds. Sometimes aim for a bbq tube sound.
Every time I clean the mud, it makes me sound foreign. But yeah, I sometimes take out most of the nasal sound with articles and square up the bass. Filling in the gaps and upfronts with a sweetness of stereo. I sweep the treble and tail off the high mids until I get a soundproofed sound, and creamy.
I try sometimes to include a rubber-band feel.
(I only paint when I’m singing, playing, mixing. Any other time, it’s just me being clear.) — A lot of old practice.
I used to also make VSTs in Fl Studio.
The only smells of vibe I’ve tried are the city smell and money smell, separately, in 2025.
The vintage sound is theoretically me on the couch, sitting with full bodiness, and mostly a filter, amp, and limiter VST on the master bus—alongside everything else In Garage Band.
Natural room reverb is mostly cut off by close, reflection filters, which don’t include the roof. I add a soft sound proof bottom. If ever, reverb is hardly ever used. I aim and tune for a woody guitar, with the reverb.
I get about 25-40 inches away from mic. On top of a plain mic I self thoughtful expression of a microphone vibe and an imaginative mansion’s vibe. I sometimes use a whole other microphone grill unplugged and use it as a close to mouth pop filter while recording. I also thoughtfully present my full body, and yeah honestly smell myself deeply along with the room. I feel the rooms temperature and adjust my breathing to opposite. Exspress the tension, stress, and overcoming of harmonic, a dry-cotton-mouth tone with emotion. I also end my last words of sections singing with a gravely grainy note ends express the more expressive lyrics. I add the last word method to even my baritone singing.
Compression use- was inspired by the vintage sports model from Waves Audio. And I Just do standard for Vocal, with a thresh hold and wet signal for up front clarity.
My music is independently written, performed, and produced by Tommion Waylee, with Waves Audio’s AI mastering service used in my mastering process. I’ve used them for three of my Releases Sense “Glogveetikus Of Mars” “Rivered Without You Two” & Lonely Red Buttons.